Thelema ScholarTHE ALEISTER CROWLEY COLLECTION
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1954 · CLOSE READING

Magick Without Tears

Magick Without Tears (1954), PDF p. 415

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382 MAGICK WITHOUT TEARS degree; and one must distinguish between rational fear, ignorance of which implies stupidity, brutishness, imbecility, or what have you, and the pathological fear which springs from mental or moral disorder. There are in fact many types of fear which may be uprooted by some form of psycho-analysis. Generally speaking, it is up to you to invent a practice to meet each specific case. One moment, though, about the fear of death. The radical cure is the gaining of the magical memory. (See also AL, I: 58.) The more previous incarnations one can remember, the less important appears the moment when the curve of life dips below the horizon. (One very curious point: when one looks back at the moment of one of one's deaths, one exclaims: "By love! that was a narrow escape, and no mistake!" Escape from what? Me no savvy; but such is the fact.) How to acquire that Memory? The development of the Magical Record is by far the most important of one's weapons. How to use the Record is not easy to explain; but there is a sort of knack which comes to one suddenly. And there are certain types of Samadhi during the exercise of which these memories appear spontaneously, without warning of any kind. There is comfort in the thought that the persistent practice of seeking out one's fears, analysing them and their causes, then deliberately evoking them to "come out, you cad, and fight!" presently sets up a habit of mind which is a strong fortress against all fear's modes of assault; one springs automatically to action when a patrol sneaks up within range of one's guns. Particularly useful against the fear of death is the punctual and vigorous performance of Liber Resh. Meditate on the sun in each station: his continuous and even way: the endless circle. That formula in the Tarot book is most valuable. One excellent practice, the general idea of which can easily be adapted to a host of particular cases is the use of the imagination.
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