1922 · CLOSE READING
Diary of a Drug Fiend
Diary of a Drug Fiend (1922), PDF p. 44
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30 The Diary of a Drug Fiend
accord she writhed into my arms; her hands and
mouth were heavy on my heart. There’s some more
poetry—that’s the way it takes one—rhythm seems
to come natural—everything is one grand harmony.
It is impossible that anything should be out of tune.
The voice of Lou seemed to come from an enormous
distance, a deep, low, sombre chant :—
“© Thou low moan of fainting maids, that art
caught up in the strong sobs of Love! I adore
Thee, Evoe! I adore Thee, I A O!” |
That was it—her engine and my engine for the
first time working together! All the accidents had
disappeared. There was nothing but the unison of
two rich racing rhythms.
You know how it is when you are flying—vyou see
a speck in the air. You can’t tell by your eyes if it is
your Brother Boche coming to pot you, or one of our
own or one of the allied ‘planes. But you can tell
them apart, foe from friend, by the different beat of
their engines. So one comes to apprehend a particular
rhythm as sympathetic—another as hostile. -
So here were Lou and I flying together beyond the
bounds of eternity, side by side; her low, persistent
throb in perfect second to my great galloping boom.
Things of this sort take place outside time and space.
It is quite wrong to say that what happened in the taxi
ever began or ended. What happened was that our
attention was distracted from the eternal truth of this
essential marriage of our souls by the chauffeur, who had
stopped the taxi and opened the door.
“ Here we are, sir,” he said, with a grin.
Sir Peter Pendragon and Lou Laleham automatically
reappeared. Before all things, decorum !
The shock bit the incident deeply into my mind: I
remember with the utmost distinctness paying the
man off, and then being lost in absolute blank wonder
as to how it happened that we were where we were.
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