1910 · CLOSE READING
The Equinox (Volume I, Number III)
The Equinox (Volume I, Number III) (1910), PDF p. 362
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THE EQUINOX
and embroidering it with gold thread drawn from the observation of things
around him, the slave of popularity wears it threadbare. Morphia won't replace
bread after the first month or so!
Now we see Mr. Blackwood and Nemesis. He gets a reputation by mar-
keting his tiny scrap of knowledge of the Inner World; the public cries out for
more, and the poor wage-slave, bankrupt in invention, does his best to fake—
and fails.
It is the male equivalent of the harlot who has drifted from Piccadilly to
Waterloo Bridge Road.
So here we see him, the shy smile changed to the open coarse appeal, the
tawdry apparatus of his craft seen for what it is—rabbit-skin ermine!—and him-
self unmistakably the fifth-rate writer, like Baudelaire’s “Old Mountebank ”—
surely no more pitiful—tumbling for no kindlier laugh than that of contempt.
(And he might have been so fine!)
This is why success must in the nature of things spoil everybody. Make a
hit with one arrow; you must never dare to do more than change the colour of
the feathers—till your quiver is empty.
And how empty is Mr. Blackwood’s! When it comes to a father hating his
twin sons because (why?) he wanted one son very badly, going mad, and after
his death turning the two into one in spite of a clergyman’s reading aloud of
Job——
Well, hang it, Mr. Blackwood, the woman has the best of it yet. It is a very
foolish girl who cannot hold her own for ten years. But you who have been
writing hardly half the time are only fit for the Literary Lock Hospital.
JoNnATHAN HuTCHINSON, Natu Minimus.
AMBERGRIS. A Selection of Poems by ALEISTER CROWLEY. Elkin Mathews.
3s. 6d. Printed by Strangeways and Sons, Great Tower Street, Cam-
bridge Circus, W.C.
We don’t like books of selections, and you can’t make a nightingale out of a
crow by picking out the least jarring notes.
The book is nicely bound and printed—as if that were any excuse! Mr.
Crowley, however, must have been surprised to receive a bill of over Six Pounds
for “ author's corrections,” as the book was printed from his volume of Collected
Works, and the alterations made by him were well within the dozen!
[Yes; he was surprised ; it was his first—and last—experience of these strange
ways.—ED.]
If poets are ever going to make themselves heard, they must find some means
of breaking down the tradition that they are the easy dupes of every ——
[Satis—Ep.]
344
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