1910 · CLOSE READING
The Equinox (Volume I, Number III)
The Equinox (Volume I, Number III) (1910), PDF p. 185
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THE TEMPLE OF SOLOMON THE KING
ing within him, hungry and thirsty, slowly devouring its
Mother Maya.
On the 21st of January, 1902, P. left Calcutta for Burma,
where for a short time he again joined Maitrananda. During
the month of February he journeyed through the districts
about Rangoon visiting many sacred cities and holy men,
practising Dhdaran4 on Maitri Bhavana (Compassion) and
taking his refuge in Triratna. (The triple jewel of Buddhism-
Buddha, Dhamma and Sangha.) On the 14th of February he
visited Lamma Sayadaw Kyoung and Bhikkhu Ananda
Metteyya, and on the 23rd shipped by S.S. Kapurthala from
Rangoon to Calcutta, arriving there on the 26th.
For the first three months of 1902 no record was kept by P.
of his meditations and mystical exercises, except one which is
as curious as it is interesting, and which consists of a minutely
detailed table showing the Classification of the Dreams he
dreamt from the 8th of February to the 19th of March.
P., it may be mentioned, was much subjected to dreaming,
but perhaps rarely were they so persistent and vivid as he now
experienced. For he found that by trying to remember dreams
he could remember more. Probably most men dream sub-
consciously; just as they breathe without knowing it unless
the attention be directed to the act.
cycles—of Renaissance, Decadence, and Slime. In the first the Adepts rise
as artists, philosophers, and men of science, who are sooner or later recognized
as great men; in the second the adepts as adepts appear, but seem as fools and
knaves; and in the third, that of Slime, vanish altogether, and are invisible.
Then the chain starts again. Thus Crowley writes:
“Decadence marks the period when the adepts, nearing their earthly perfec-
tion, become true adepts, not mere men of genius. They disappear, harvested
by heaven: and perfect darkness (apparent death) ensues until the youthful
forerunners of the next crop begin to shoot in the form of artists.’”
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