1944 · CLOSE READING
The Book of Thoth
The Book of Thoth (1944), PDF p. 72
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“There is an Assyrian legend of a woman with a fish, and also there is a legend of Eve
and the Serpent, for Cain was the child of Eve and the Serpent, and not of Eve and Adam; and
therefore when he had slain his brother, who was the first murderer, having sacrificed living
things to his demon, had Cain the mark upon his brow, which is the mark of the Beast spoken
of in the Apocalypse, and is the sign of Initiation.
“The shedding of blood is necessary, for God did not hear the children of Eve until
blood was shed. And that is external religion; but Cain spake not with God, nor had the mark
of initiation upon his brow, so that he was shunned of all men, until he had shed blood. And
this blood was the blood of his brother. This is a mystery of the sixth key of the Tarot, which
ought not to be called The Lovers, but The Brothers.
“In the middle of the card stands Cain; in his right hand is the Hammer of Thor with
which he hath slain his brother, and it is all wet with his blood. And his left hand he holdeth
open as a sign of innocence. On his right hand is his mother Eve, around whom the serpent is
entwined with his hood spread behind her head; and on his left hand is a figure somewhat
like the Hindoo Kali, but much more seductive. Yet I know it to be Lilith. And above him is the
Great Sigil of the Arrow, downward, but it is struck through the heart of the child. This child
also is Abel. And the meaning of this part of the card is obscure, but that is the correct drawing
of the Tarot card; and that is the correct magical fable from which the Hebrew scribes, who
were not complete Initiates, stole their legend of the Fall and the subsequent events.”
It is very significant that almost every sentence in this passage seems to reverse the
meaning of the previous one. This is because reaction is always equal and opposite to action.
This equation is, or should be, simultaneous in the intellectual world, where there is no great
time4ag; the formulation of any idea creates its contradictory at almost the same moment.
The contradictory of any proposition is implicit in itself. This is necessary to preserve the
equilibrium of the Universe. The theory has been explained in the essay on Atu I, the Juggler,
but must now be again emphasized in order to interpret this card.
The key is that the Card represents the Creation of the World. The Hierarchs held this
secret as of transcendant importance. Consequently, the Initiates who issued the Tarot, for use
during the Aeon of Osiris, superseded the original card above described in “The Vision and the
Voice”. They were concerned to create a new Universe of their own; they were the fathers of
Science. Their methods of working, grouped under the generic term Alchemy, have never been
made public. The interesting point is that all developments of modern science in the last fifty
years have given intelligent and instructed people the opportunity of reflecting that the whole
trend of science has been to return to alchemical aims and (mutatis mutandis) methods.
The secrecy observed by the alchemists was made necessary by the power of persecut‐
ing Churches. Bitterly as bigots fought among themselves, they were all equally concerned to
destroy the infant Science, which, as they instinctively recognized, would put an end to the ig‐
norance and faith on which their power and wealth depended.
The subject of this card is Analysis, followed by Synthesis. The i first question asked by
science is: “Of what are things composed? “This having been answered, the next question is:
“How shall we recombine them to our greater advantage?” This resumes the whole policy of
the Tarot.
The hooded figure which occupies the centre of the Card is another form of The Her‐
mit, who is further explained in Atu IX. He is himself a form of the god Mercury, described in
Atu I; he is closely shrouded, as if to signify that the ultimate reason of things lies in a realm
beyond manifestation and intellect. (As elsewhere explained, only two operations are ulti‐
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