1929 · CLOSE READING
Moonchild
Moonchild (1929), PDF p. 101
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11
Chapter
OF THE MOON OF HONEY, AND ITS EVENTS;
WITH SUNDRY REMARKS ON MAGICK; THE
WHOLE ADORNED WITH MORAL
REFLECTIONS USEFUL TO THE YOUNG
THE many-terraced garden of the villa was planted with olive and tamarind,
orange and cypress; but in the lowest of them all, a crescent over whose wall
one could look down upon one of the paths that threaded the hillside, there
was a pavement of white marble. A spring wept from the naked rock, and fell
into a circular basin; from this small streamlets issued, and watered the
terrace in narrow grooves, between the slabs. This garden was sacred to lilies;
and because of its apt symbolism, Cyril Grey had chosen it for the scene of
Lisa's dedication to Artemis. He had set up a small triangular altar of silver;
and it was upon this that Sister Clara and her disciples came thrice nightly to
make their incantations. The ritual of the moon might never be celebrated
during daylight.
Upon the evening of Monday, after the adoration of the setting sun, Sister
Clara called Lisa aside, and led her to this garden.
There she and the hand-maidens unclothed her, and washed her from head
to foot in the waters of the sacred spring. Then she put upon her a solemn
oath that she would follow out the rules of the ritual, not speaking to any man
except her chosen, not leaving the protection of the circle, not communicating
with the outer and uninitiated world; but, on the other [145] hand, devoting
herself wholly to the invocation of the Moon.
Then she clothed her in a specially prepared and consecrated garment. It
was not of the same pattern as those of the Order; it was a loose vestment of
pale blue covered with silver tissue; and the secret sigils of the moon were
woven cunningly upon its hem. It was frail, but of great volume; and the
effect was that the wearer seemed to be wrapped in a mist of moonlight.
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