Mr. Crowley isa strong and genuine poet, and we
have little doubt that he will work up from his
appreciation of the Temple of Osiris to that loftier
and wider work of the human imagination, the
appreciation of the Brixton Chapel.”— Dazly News.
Carmen Szeculare. 2:5. 6d.
“*. . . The poet foresees the dawn of an era of
love, justice, and peace, when the Celtic race shall
be restored to their own. There are many strong,
nervous lines, and some exalted thoughts.” —Dazly
News.
Tannhduser. 10s.
A remarkable ‘‘ Pilgrim’s Progress” in dramatic
form. This work may be regarded as the culmina-
tion of the Author’s powers in lyrical and dramatic
work : he has apparently said the last word possible
on the subject of Regeneration.
The Cambridge Review prefers ‘‘the vigour of
Mr. Crowley’s ‘ Tannhauser’
to the Attic monotone
of the Master (Swinburne).”
This rare pamphlet is almost exhausted. As most
people know, Berashith is the first word of the book
of Genesis, and the essay contains a complete solu-
tion of the Problem of Creation, which has baffled
all brains less astute and profound than our author’s.
The essay has since been reprinted with added
references and elucidation of some of the more
abstruse propositions ; this edition is, therefore, of
interest only as an Z£ditio princeps.
Ahab, etc. 55.
A companion to ‘‘ Jezebel.” 150 copies printed.
‘Mr. Crowley has amplified the Biblical narra-
tive, has given to the savage figure of Ahab some-
thing of the nobility of reason that rebels against
the tyranny of his fate. There is a modern self-
consciousness in this tragic, brooding monologue.”
— Manchester Guardian.
120