1930 · CLOSE READING
Magick in Theory and Practice (Section 2)
Magick in Theory and Practice (Section 2) (1930), PDF p. 63
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ecstasy or silence. Samadhi and Nibbana are but its shadows cast
upon the universe.
II
If the Master Therion effects by tliis book noihing
else but to demonstrate the continuily of nature and the
uniformity of Law5 He will feel that Mis work bas not been
wasted. In his original design of Part III he did not contemplate
any allusion to alchemy. It has somehow been taken for granted
that this subject is entirely foreign to regular Magick, both in scope
and method. It will be the main object of the following descrip¬
tion to establish it as essentially a branch of the subject, and to
show that it may be considered simply as a particular case of the
general proposition — differing from evocatory and talismanic
Magick only in the values which are represented by the unknown
quantities in the pantomorphous équations.
There is no need to make any systematized attempt to decipher
the jargon of Hermetic treatises. We need not enter upon an
historical discussion. Let it suffice to say that the Word alchemy is
an Arabie term consisting of the article “al” and the adjective
“khemi” which means “that which pertains to Egypt” h A rough
translation would be “The Egyptian matter”. The assumption is
that the Mohammedan grammarians held traditionally that the
art was derived from that wisdom of the Egyptians which was the
boast of Moses, Plato, and Pythagoras, and the source of their
illumination.
Modem research (by profane scholars) leaves it still doubtful
as to whether Alchemical treatises should be classified as mystical,
magical, medical, or Chemical. The most reasonable opinion is that
ail these objects formed the pre-occupation of the alchemists in
varying proportions. Hermes is alike the God of Wisdom, Thau-
maturgy, therapeutics, and physical science. Ail these may con-
sequently claim the title Hermetic. It cannot be doubted that
such writers as Fludd aspired to spiritual perfection. It is equally
sure that Edward Kelly wrote primarily from the point of view
i. This etymology differs from that given by Skeat; I can do no more
than présent my submission.
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