The Law is for All

Chapter II A Verses 21-22 109 The Artist calls our attention away from Nature, whose immensity bewilders us so that she seems incoherent, and unintel­ ligible, to his own interpretation of himself and his relations with various phenomena of nature expressed in a language more or less common to us all. The smaller the Artist, the narrower his view, the more vulgar his vocabulary, the more familiar his figures, the more readily is he recognized as a guide. To be accepted and admired, he must say what we all know, but have not told each other till it is tedious, and say it in simple and clear language, a little more emphatically and eloquently than we have been accustomed to hear; and he must please and flatter us in the telling by soothing our fears and stimulating our hopes and our self-esteem. When an Artist—whether in Astronomy, like Copernicus, Anthropology, like Ibsen, or Anatomy, like Darwin—selects a set of facts too large, too recondite, or too “regrettable” to receive instant assent from everybody; when he presents conclusions which conflict with popular credence or prejudice; when he employs a language which is not generally intelligible to all; in such cases he must be content to appeal to the few. He must wait for the world to awake to the value of his work. The greater he is, the more individual and the less intelligible he will appear to be, although in reality he is more universal and more simple than anybody. He must be indifferent to anything but his own integrity in the realization and imagination of himself. 22. I am the Snake that giveth Knowledge & Delight and bright glory, and stir the hearts of men with drunkenness. To worship me take wine and strange drugs whereof I will tell my prophet, & be drunk thereof! They shall not harm ye at all. It is a lie, this folly against self. The exposure of innocence is a lie. Be strong, o man! lust, enjoy all things of sense and rapture: fear not that any God shall deny thee for this. Commentary: Drunkenness is a curse and a hindrance only to slaves. Shelley’s couriers were “drunk on the wind of their own