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rickety tables, screaming with fear. The had been attacked by bed-bugs. Luckily I had warned Leila 
that in Russia the bug is as inseparable from the bed as the snail from his shell. 
In a day or two things calmed down. Then there came suddenly upon me a period of stupendous 
spiritual impulse --- even more concentrated than that of 1911. In a café, I met a young Hungarian 
girl named Anny Ringler; tall, tense, lean as a starving leopardess, with wild insatiable eyes and a 
long straight thin mouth, a scarlet scar which seemed to ache with the anguish of hunger for some 
satisfaction beyond earth's power to supply. We came together with irresistible magnetism. We 
could not converse in human language. I had forgotten nearly all my Russian; and her German was 
confined to a few broken cries. But we had not need of speech. The love between us was ineffably 
intense. It still inflames my inmost spirit. She had passed beyond the region where pleasure had 
meaning for her. She could only feel through pain, and my own means of making her happy was to 
inflict physical cruelties as she directed. This kind of relation was altogether new to me; and it was 
perhaps because of this, intensified as it was by the environment of the self-torturing soul of Russia, 
that I became inspired to create for the next six weeks. 
How stupid it is, by the way, that one is obliged to use words in senses inappropriate to, and 
sometimes incompatible with, the meaning which 
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one wishes to convey! Thus the idea of cruelty is bound up with that of the unwillingness of the 
patient, so that in the case of masochism the use of the word is ridiculous. We fail to see straight on 
such points whenever they concern emotional complexes like love. Love, that is, as the wrong- 
headed Anglo-Saxon defines it. We do not call it cruel to offer a man a cigar, though a small boy 
may suffer intensely from smoking one. An enormous amount of erroneous thinking springs from the 
mental laziness which allows us to acquiesce in a standardized relation between two things which 
is, in fact, dependent upon occasional conditions. 
This constantly leads to the grossest injustice and stupidity. Words like "miscreant", "atheist" and 
similar terms of abuse in matters which excite the emotions of the vulgar, are constantly applied as 
labels to people whom they nowise fit. For instance, Huxley was branded as a materialist, Thomas 
Paine as an atheist, when they were nothing of the sort. It was particularly annoying during the war 
to observe the indiscriminate plastering of people with such mud as "pro-German", "pacifist", 
"Bolshevist", etc., without the slightest reference to their actual opinions. The proof of the pudding 
is in the eating; my relations with Anny must be judged by their fruits; happiness, inspiration, 
spirituality and romantic idealism. 
I saw Anny almost every day for an hour or so. The rest of my time I spent (for the most part) in the 
gardens of the Hermitage or the Aquarium, writing for dear life. In Moscow, in the summer months, 
day fades into night, night brightens into day with imperceptible subtlety. There is a spiritual clarity 
in the air itself which is indescribable. From time to time the bells reinforce the silence with an 
unearthly music which never jars or tires. The hours stream by so intoxicatingly that the idea of 
time itself disappears from consciousness. 
In all that I wrote in those six weeks, I doubt if there is a single word of Anny. She was the soul of 
my expression, and so beyond the possibility of speech; but she lifted me to heights of ecstasy that I 
had never before consciously attained and revealed to me secrets deeper than I ever deemed. I 
wrote things that I knew not and made no mistake. My work was infinitely varied, yet uniformly 
distinguished. I expressed the soul of Moscow in a poem "The City of God", published some months 
afterwards in the English Review. It is a "hashish dream come true". Every object of sense, from the 
desolation of the steppes and the sheer architecture of the city, to the art, attitude and 
amusements of the people, stings one to the soul, each an essential element of a supreme 
sacrament. At the same time, the reality of all these things, using the word in its grossest sense, 
consummates the marriage of the original antinomies which exist in one's mind between the ideal 
and the actual. 
A prose pendant to this poem is my essay "The Heart of Holy Russia",