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1929 · CLOSE READING

Confessions of Aleister Crowley

Confessions of Aleister Crowley (1929), PDF p. 429

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429 {681} phenomena which impressed me in the least as being caused by occult forces. (It is to be remembered that I have seen so many phenomena of absolutely indubitable authenticity in the course of my magical work that I am predisposed to expect such things to happen.) In sitting with Eusapia, my main objects were first to get an idea of the atmosphere, so as to visualize more clearly the events recorded in the famous report, and second to criticize my own evidence. The question had suggested itself: "Feilding and the rest are clever, wary, experienced and critical, but even so, can I be sure that when they describe what occurs they are dependable witnesses?" As luck would have it, my single séance threw a glaring light on this point. Eusapia was sitting at the end of a table with her back to the cabinet. Virakam was on her right, I on her left. It was my business to make sure that she did not kick and to keep hold of her left writs. After a short time the fun began in the customary manner by the curtain of the cabinet bulging and finally falling across Eusapia's left arm and my right. I could thus see into the cabinet, that is, into the corner of the room, by turning my head. Now, Eusapia was supposed to have a third arm, an astral arm, with which she could do her deadly deeds. My attention was attracted to the cabinet by seeing a shadowy arm moving about it it. My intellectual faculties were completely alert. I reasoned as follows: "The arm which I see is a left arm, not a right arm. It cannot therefore be Eusapia's left arm, because I am holding her left wrist with my right hand." Almost before I had completed this syllogism, the arm disappeared from the cabinet; at the same moment I felt Eusapia replace her left wrist in my hand, which had not informed me that she had removed it. It is a small premise on which to found an universal proposition and yet I do so without serious hesitation. I dare not for a moment compare myself with such expert investigators as Feilding and the rest. Still, I have some experience. I am not entirely an ass and I certainly know a great deal about psychology for one thing, and the unreliability of sensory impressions for another. Ex pede Herculem. If I, such as I am, cannot be relied upon to say whether I am or am not holding a woman's wrist, is it not possible that even experts, admittedly excited by the rapidity with which one startling phenomenon succeeds another, may deceive themselves as to the conditions of the control? It seems to me extremely significant that Feilding has never obtained a cabinet phenomenon with any medium when he has interposed netting between the man and the curtain. Feilding invited me to some of the s‚ances of the then famous medium Caracini, who had been turning Rome upside down by turning tables upside down, teaching grand pianos the turkey-trot and materializing mutton chops. I was inclined at first to believe that there was some slight {682} element of genuineness in the man for the simple reason that he failed to bring off anything at all in my presence. The trumpery elementals that amuse themselves at the expense of the spiritist type of imbecile keep very clear of Magicians. (Readers of Eliphas Lévi will remember that D.D.Home was panic-stricken at the approach of the adept.) After two hours of watchful waiting Feilding suggested trying for cabinet phenomena. The cabinet was, as usual, a corner of the room with a cloth pinned across, behind this being a table furnished with trumpets, tambourines and similar baitful bogies. At the suggestion Carcini sprang from his seat and extended his hands towards the upper part of the curtain. I required no further information. There was nothing suspicious in his act but the psychology was final. There was an association in his mind between cabinet phenomena and physical manipulation. I take this opportunity of pointing out that no cabinet phenomena of any sort have ever taken place when netting has been placed between the curtain and the medium. We can hardly conceive of any type of force capable blowing trumpets, impressing wax, etc., which would be intercepted by netting, except that normal to humanity. May I further remark that, in our generation, no professional medium has ever produced evidential phenomena of any kind with the exception of Eusapia Palladino, Mrs Piper, Eva C. (if she can be
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