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I call the "comma bacillus". He loved a sentence so much that he could not persuade himself to 
finish it, but his images are more vivid and virile than those of any writer I have ever known. 
The style of The Star in the West is trenchant and picturesque. Its only fault is a tendency to 
overloading. I could have wished a more critical and less adoring study of my work; but his 
enthusiasm was genuine, and guaranteed our personal relations in such sort that my friendship wit 
him is one of the dearest memories of my life. I dedicated The Winged Beetle to him. 
Alas, I did not take into account the corrupting influence of women. He held out a long while 
against the insidious pressure of his wife. It was perhaps only through the treachery of another man 
that mischief was finally made between us. But nothing can destroy the past, and the long years of 
our intimate friendship were indeed fertile. We saw each other nearly every day and worked 
together in perfect harmony. 
In "The Temple of Solomon the King" Fuller's style was already much improved, though the story of 
my life might have been set forth more simply. Though his tendency to burst out into ecstatic 
rhapsodies resulted in disordering the proportions of its events, in the main his task was admirably 
accomplished, and there are passages of astonishing sublimity, not only in the matter of language 
but in that of thought. His point of view was indeed more subtle and profound than he himself 
realized. I am sure that many passages of this book will stand among the greatest monuments of 
English prose extant. 
But he reached his high-water mark with "The Treasure House of Images". Formally, this is the most 
remarkable prose that has ever been written. Each chapter of the main part of the book contains 
thirty sections, and each section has the same number of syllables. Each of these chapters hymns 
the sign of the Zodiac and in each section that sign is modified by another sign. It is the most 
astonishing achievement in symbolism. 
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But this is not all. There is a chapter containing one hundred and sixty-nine cries of Adoration, 
which is, as it were, a multiplication of the previous chapters and a quintesentialization of them. To 
this day we chant these Adorations to the sound of the tom-tom and dance to the music, and the 
effect is to carry away the performer into the sublimest ecstasy. It possesses all the Magick of 
oriental religious rites, such as those of the Sidi Aissawa, but the rapture is purely religious. It is not 
confused with eroticism, and that although many of the symbols are of themselves violently erotic. 
O Thou dew-lit nymph of the Dawn, that swoonest in 
....the satyr arms of the Sun! I adore Thee, Evoe! 
............I adore Thee, IAO! 
O Thou mad abode of kisses, that art lit by the fat 
....of murdered fiends! I adore Thee, Evoe! 
............I adore Thee, IAO! 
Unfortunately, when our friendship was interrupted so was his literary career. I had taught him to 
write prose, but he has been able to employ his talents to no better purpose than to win prizes in 
competitions organized by the Army Council. 
The Star in the West was published in 1907 and was widely reviewed; for the most part, favourably. 
In particular, Soror S. S. D. D. (Mrs. Emery or "Florence Far" as she was variously known) wrote a 
very full criticism of it in the New Age. Some of it is so prophetic that it must be quoted here: 
It is a hydra-headed monster, this London Opinion, but we should not be at all surprised to see an 
almost unparalleled event, namely, everyone of those hydra-heads moving with a single purpose, 
and that the denunciation of Mr. Aleister Crowley and all his works.