1907 · CLOSE READING
Collected Works (Vol. III)
Collected Works (Vol. III) (1907), PDF p. 78
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2 A DRAMATIC VERSION OF
SCENE III
Zhe SRE DE MALErroir as 72 Scene J.
fle ts standing alert and intent, listen-
wns. From below are growls and mut-
fered curses ; then a sharp sound like the
snapping of a sword.
ALAIN,
Amat janua limen! (Closes book.| Now,
my friend, whoever you are—for your
charming letter does not mention your
honourable name—we shall very soon have
the pleasure of seeing you. ‘ Embrace of
the eyes,” eh? You distrust my door
already, eh? Why do you knock so?
[Great noise below.) No honester crafts-
man ever built a door—you waste time!
Why so reluctant to move from the cold
night to the ‘‘ blush of an alabaster brow,”
and the rest of your accursed troubadour’s
jargon, to a bliss you little expect. “‘ Gratia
cum Nymphis geminisque sororibus audet
ducere nuda choros.” But your choros,
Blanche, is but your old uncle, who per-
haps loves you better than you think just
now. [ad sound of suppressed sobbing from
the Chapel.) Ah! you may weep if you
will—but what choice have you left me?
And Lord! Lord! what could a loving
heart ask more? [Stswbling on steps, and
a muttering, ‘* Perdition catch the fool who
invented these ctreular statrs.’| Ha! He
seems a little uncertain of the stair. Hush!
[Auter DENYS, who remains behind
arrvas, ALAIN Szés,
DENYS.
[|Stambles and swears.) O these stairs!
They go round and round, or seem to go
round—faith! I have seen an entire castle
do as much—and lead nowhere. [Pushes
against arras and ts seen by audience. He
hastily withdraws.] Oh, they do though!
Shall I knock? Shall I go in? Shal. I
stay here till morning? There are three
fools there, and I have a poor choice: to _
knock is polite, to wait is polite, and to
introduce my charming self is the politest
of all. [Peeps z2.] Can’t see anybody!
It’s clearly a gentleman’s house—and a fool
he is to leave his postern door ajar. Whoever
he is, he can hardly blame me for a _ mis-
adventure—and a curious tale is a passport
the world over. Well, let me go in! To
go in boldly is to slap Luck the courtezan
on the shoulder, and ’tis Venus o’ the dice-
box to an ace and a deuce but she call me
a tall fellow of my hands and bid me sit
to supper. Warily now!...
[Pushes past arras.
ALAIN.
Good evening, good evening, my dear
young friend. Welcome, very welcome!
Come to the fire, man, and warm your-
self. ‘‘ Jam satis terris nivis,”—if you know
your Horace as you know your Ovid, we
shall get along splendidly.
[DENYS stands stupefied. A\.AIN watts,
DENYs.,
I fear, sir, I don’t know my Ovid. [Vth
the air of one primed to repeat a lesson.)
I beg a thousand pardons, Monsieur.
ALAIN,
Don’t apologise, don’t apologise. I’ve
been expecting you all the evening.
DENYS,
Excuse me, sir, there is some mistake— !
ALAIN.
No! No! There is no mistake. Be at
ease, my young friend.
DENYS.
[Shrwuos his shoulders.| But I had no
wish to be here—er—er !—Nothing was
further from my thoughts than this most
unwarrantable intrusion.
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