Rodin in Rime

AUGUSTE RODIN AND THE NOMENCLATURE OF HIS WORKS A STUDY IN SPITE HEN @legitimate criticism is met with a smart swing on the point of the jaw, and has subsided into an unpleasant and unpitiful heap; when its high- well-born brother has shaken hands—not without many years of friendly sparring—with the new pugilist, all his family are very disappointed, for Society takes no notice of them in its (to them unseemly) adulation of the rising star. Their unfraternal feeling may even lead them to employ a sandbagger and a dark night to rid them of this dreamer Joseph. In the case of the success, in the heavy weights, of the Meudon Chicken (M. Rodin will forgive us for the lengths to which we carry our analogy), envy has given up hope even of sandbags, and is now engaged in the ridiculous task of attempting to disconcert the eye of the Fancy Boy by flipping paper pellets at him across the arena. They do not reach him, it is true: but as I, who happen to be sitting in a back row, admiring the 3