1907 · CLOSE READING
Konx Om Pax
Konx Om Pax (1907), PDF p. 132
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fields Captain
Fuller is a master dramatist,
and we have no hesitation
in predicting
that
modern
readers, weary of the sordid
and tawdry tediousness of gutter
realism
and Utopia idealism, will find in this book a satisfaction of many a heartache.
The SEEKBR says:
Years ago, the saintly Novalis called Baruch
de Spinoza “ that
God-intoxicated
Man.”
What would
he have
said
had
he lived
to-day, and looked
upon the face of Aleister Crowley,
that glory revealed to us by the genius of Captain
1. F. C.
Fuller?
Crowley
has
been reproached
in
some
thoughtless
or malicious
quarters
for
his
ignorance
or tolerance of evil.
But
is this not
because
the holiness of his life and
thought keeps him
so close to his divine
Master that he can only see good in all he
gazes on?
It is the eagle, ever steadfastly beholding
the sun, that swoops down upon
carrion,
and thanks God for the meal.
It is the
urblind race of miserable men that
turn fastidioust from wholesome and natural f
.
However
this may be, it is undoubtedly
no easy task to follow the royal bird in his
dazzling flight through illimitable oathyr.
Yet the attempt will avail us much;
even if
we can rise only some few feet above the ground, we may say, “something attempted,
something
done.”
And
as we grow bolder,
we shall
be more at ease in the new ele
ment, or even, like the sparrow on the eagle’s back, equal the splendid soaring of our
princely
pioneer.
For
those to whom
much of Crowley is obscure,
no better lamp
can be found
than this brilliant book of Captain Fuller.
A. Quiller, in the Unsacraanm Ravraw,
says:
IN THE LAND OF OPHIR
Here is a master-voice in song;
here
is
a hand which
has “ waked
to ecstasy
the
living-lyre.”
It
him indeed
been the lot of few men to be the author of thirty-two
books and still remain unknown; but it
has
been the lot of none to sing songs of so
divine
a melody
and so diabolic
a discord; since the days when Solomon
the King
vied with the bul-buls
in the rose-bowers
of Sharon,
and showered
urple kisses on
the jet-black
thighs of strange women amongst the white lilies in the
alley of Jordan.
As
we open this regal book,
all the gold of Ophir and the glitterin
jewels
of
Havilah flash before our wondering
eyes.
And once a
in we wander
ro
h the
scented gardens of Shiraz
and drink deep of the go]
en vintage of Omar.
ll is a
melody of joy, an ecstasy of bliss,
a ra ture of bewildering
love; and Captain Fuller
has indeed proved himself
to be a wortliy
cicerone to guide the seeker after the kisses
of God across the labyrinthine
darkness of Mines
as well
as
through the cool groves
of Eleusis,
“child-like
dreaming
in
the bosom of silvery Attica by the blue [Egean
sea.” Always
picturesque,
he writes with a generous enthusiasm, which
is pleasant to
find in these
egenerate
days, when
po ular
opinion,
hydra-headed,
moves with
a
single
purpose to slay the thinker
and
eslaver a Hall Caine with its coprophagic
s cephanc
.
But Crowley,
this second Hercules,
has little to fear with so
trusty an
olaus by
is side.
In this epoch-making
work—we might almost exclaim this one book of the geologic
period—Captain
Fuller has with a clarion
blast, seldom heard in the Salvation
hubbub
of this age of boisterous bassoons,
heralded
in our unknown
knight, who,
with the
ravaging roar of ten thousand thunders,
has flung down
before the world his adaman
tine gauntlet of Ecstatic Truth, which
has sent the Old World a-tottering like Bacchus
in his cups, and the sparks
flying
upwards,
blinding the starry eyes of God.
In this
literary cataclysm the hosts of Corelli will
be swallowed
up, and above the bubblin
suction of unkissed lips will the voice of Crowley, like the bellowing
of a love-frenzi
bull,
reclaim himself lacehus—the
Second Christ, and ofi'er to us, the crucified thieves
of this
modern
Golgotha,
the
Cup
of Multiscient
Joy, that goblet of Everlasting
Ecstasy.
Hark:
4
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