Eight Lectures on Yoga

unctuous bilgewater of people like St. John of the Cross. All Christian Mystics are tarred with the same brush. Their abominable religion compels them to every kind of sentimentality; and the theory of original sin vitiates their whole position, because instead of the noble and inspiring Trance of Sorrow they have nothing but the miserable, cowardly, and selfish sense of guilt to urge them to undertake the Work. 15. I think we may dismiss altogether from our minds every claim to experience made by any Christian of whatever breed of spiritual virus as a mere morbid reflection, the apish imitation of the true ecstasies and trances. All expressions of the real thing must partake of the character of that thing, and therefore only that language is permissible which is itself released from the canon of ordinary speech, exactly as the trance is unfettered by the laws of ordinary consciousness. In other words, the only proper translation is in poetry, art and music. 16. If you examine the highest poetry in the light of common sense, you can only say that it is rubbish; and in actual fact you cannot so examine it at all, because there is something in poetry which is not in the words themselves, which is not in the images suggested by the words 'O windy star blown sideways up the sky!' True poetry is itself a magic spell which is a key to the ineffable. With music this thesis is so obvious as hardly to need stating. Music has no expressed intellectual content whatever, and the sole test of music is its power to exalt the soul. It is then evident that the composer is himself attempting to express in sensible form some such sublimities as are attained by those who practise Magick and Yoga as they should. 17. The same is true of plastic art, but evidently in much less degree; and all those who really know and love art are well aware that classical painting and sculpture are rarely capable of producing these transcendent orgasms of ecstasy, as in the case of the higher arts. One is bound to the impressions of the eye; one is drawn back to the contemplation of a static object. And this fact has been so well understood in modern times by painters that they have endeavoured to create an art within an art; and this is the true explanation of such movements as surrealisme. I want to impress upon you that the artist is in truth a very much superior being to the Yogi or the Magician. He can reply as St. Paul replied to the centurion who boasted of his Roman citizenship 'With a great sum obtained I this freedom'; and Paul, fingering the Old School Tie, sneered: 'But I was free born.' 18. It is not for us here to enquire as to how it should happen that certain human beings possess from birth this right of intimacy with the highest reality, but Blavatsky was of this same opinion that the natural gift marks the acquisition of the rank in the spiritual hierarchy to which the student of Magick and Yoga aspires. He is, so to speak, an artist in the making; and it is perhaps not likely that his gifts will have become sufficiently automatic in his present incarnation to produce the fruits of his attainment. Yet, undoubtedly, there have been such cases, and that within my own experience.